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FIGURE 7.26 The Hue blending mode in action. The flowers have taken on the beige, red, blue, and yellow hues of the top window layer.

The Creative Suite (referenced by the CS in Photoshop CS3) is a group of Adobe applications that are typically used if not at the same time together in terms of sharing files. The movie clips edited in Adobe Premiere may end up edited as still shots in Photoshop, for example, or the still photos you edit in Photoshop might end up in a Dreamweaver Web site or used for page layout with InDesign. You get the idea.

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Now is when you should start to set goals But so often people put off planning until their lives are more settled When is life ever really settled If you want to wait until things settle down before you plan, you ll never plan The conundrum brings to mind a young doctor who arrived at my of ce many years ago The doctor, now one of this country s leading melanoma cancer experts, was starting his own private practice The 37-year-old was certain that he wanted to be nancially independent in 30 years And he was pretty certain he wanted to be living somewhere on the Monterey Peninsula, south of San Francisco That was all we knew for sure He didn t know what kind of salary he could hope to draw, how high his overhead would be, or who his patients would be.

14 1

The congressman leaned back and said, Throughout these hearings we have heard why this or that solution won t work Are you here to suggest how we can prevent a panic Or are you here, just like the others, to talk in grandiose, vague terms while you find holes in the proposals of others Sir, there is no solution at least not the kind you re looking for that will solve the problem in a short period of time You must let nature take its course, intervening only to avoid disorderly markets and to keep the core of the financial centers alive OK, then, what is the long-term solution the congressman insisted, raising his voice Here it is, sir First, we need a period of reduced living standards and increased savings rates hard work and sacrifice Second, we must reorient our production priorities by retooling and recapitalizing.

Figure 8-12: Meet Vanessa Quinn, the mannequin we use to test digital cameras. She s never late for work, always has the same predictable (though wooden) personality, and her dress size, complexion, and hair never change. Yet, by using different angled lights, we can literally sculpt her face to reshape it, diminish blemishes (she does have a ding on her forehead), and even make her molded face appear as though her expression has actually changed. It s all done with light and shadows. (Photos of Vanessa taken with a Canon EOS 20D, 17 85 mm lens set at 64mm, 1/10 at f5.6.) (Top left) For this photo, we used a single light, positioned right next to the camera, so it came straight onto Vanessa s face, at her eye level. This creates classic flat lighting, which can broaden the face and make the complexion appear smooth and flawless. (Top right) Moving the eye-level light to the side created some dramatic shadows and made her face appear narrower. Be careful with this kind of lighting, and be sure the shadows that are produced are attractive rather than distracting. (Bottom left) Lowering the single light and angling it upward made the light appear luminous, almost as though it is internal to Vanessa. Unlike the direct, flat lighting in the top-left picture, this angle creates interesting contours but still can diminish blemishes. (Bottom right) This portrait was done with a three-light setup. One light was angled to illuminate the background and add highlights to Vanessa s hair. Another was in front and below her, angled upward (as in the bottom-left picture). The third was on the opposite side to the background/hair light, at about a 45-degree angle to Vanessa s face and almost at eye level.